Tuesday, December 14, 2010

Final Piece

For our final piece, we were able to choose anything we wanted- photos we had taken, or our own composition.  I took photos and mixed them together to make my own composition.  It was difficult to get a picture of this, since the light kept reflecting off the black paint.


4'x3'
Acrylic on Masonite
Air-Dry Clay

Raising Awareness

Our project in which we picked out a topic that we wanted to bring awareness to, and made posters for the event that would bring awareness: a march to Monroe Park and the Compass.

27''x19'', Arches coldpress watercolor paper

puppet mask, made of cardboard, stucco, feathers and paint

Tuesday, November 16, 2010

photo compositions

These are all for our new massive project in which we work on a painting on masonite, any size from 4'x2' and up.  I'm working on a 4'x3' masonite piece and it's the biggest I've ever worked and I'm really excited about it! So here are some photos I took to get inspiration for a composition:






Thursday, October 7, 2010

Monochromatic Color



Experiments!


Experiment with paint, gesso, metallic markers, and a transfer.



I wanted to do something with a wood grain, but the wood I purchased didn't have a defined grain to it so I couldn't use it like I wanted to.  I'm still not quite sure if this piece is finished or if I'm happy with it; I'll probably fix it up and repost a picture of it.

Bunnies!


Graphite on vellum, from a photo of my rabbit.

Ink Silhouette

Response to Collingwood's Aesthetics, ch. 1

My first thought while reading this was that it was difficult to read.  The author is often long-winded and uses some confusing statements.  I found myself re-reading some paragraphs a few times.

But I have to disagree with a few of his points.  In one of the paragraphs, he talks about a poet instantaneously thinking up a poem; it took no planning.  He speaks as if this is art, and craft- which involves intensive planning- isn't.  I highly disagree!  What about the old masters, like Leonardo DaVinci and Michelangelo? They certainly planned out their paintings and sculptures, resulting in some of the most famous art in the world.  

Talking about the instantaneous quality that makes art art- or so the author states- reminded me of a discussion we had in Focused Inquiry. We read a passage about creation myths and truth; about how the moment of instant creation leads to heroes and great stories, instead of a simple evolution.  This has big relevance to the issue the author is addressing, and may show that he too enjoys an instantaneous epiphany to define art rather than a planning and evolution of the work into art. 

The author also goes as far as to say "the artist has a clear conception of what he is trying to represent; if he does, then his activity is craft, not art proper," which really bothers me. So if an artist has an idea he or she wants to convey, to express, to tell the world their opinion, no matter what they make it is not considered art? That statement really angered me. He goes on, saying that "if the aim is that the audience should leave the theatre indignant at global warming for example—then the work is one of magic; if the emotions it evokes are intended to be ‘earthed’, the work is one of amusement," and it is still not art. I don't understand what IS art to him if everything that I thought art was isn't a quality of art.